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blackpaint20:

Illustrations for the Lübeck Bible: The Apocalypse
The Beast cast into the lake of fire; with knights on horseback and an angel above. Clipping from the Lübeck Bible. c.1530-34 Woodcut
 Erhard Altdorfer 

blackpaint20:

Illustrations for the Lübeck Bible: The Apocalypse

The Beast cast into the lake of fire; with knights on horseback and an angel above. Clipping from the Lübeck Bible. c.1530-34 Woodcut

 Erhard Altdorfer 

blackpaint20:

The woman clothed with the Sun and the dragon; the seven-headed beast bottom left, the crowned woman standing on the moon, the child brought to God the Father by two angels, top left. The ark of the covenant upper centre. From a series of 21 woodcuts of the Apocalypse for Martin Luther’s translation of the New Testament (Augsburg: S. Otmar, 1523). 1523 Woodcut
 Hans Burgkmair the Elder 

blackpaint20:

The woman clothed with the Sun and the dragon; the seven-headed beast bottom left, the crowned woman standing on the moon, the child brought to God the Father by two angels, top left. The ark of the covenant upper centre. From a series of 21 woodcuts of the Apocalypse for Martin Luther’s translation of the New Testament (Augsburg: S. Otmar, 1523). 1523 Woodcut

 Hans Burgkmair the Elder 

magictransistor:

Jacob Böehme. Theosophische Werke. 1890.
Mystic vision from J. Böehme’s Theosophische Werke. It shows a sinful world of creation, surrounded by the Serpent of Eternity, the Uroboros, and characterized by the four elements and the sins corresponding to them; the whole circle relates to the centre, the weeping eye of God, i.e. the point where salvation, symbolized by the dove of the Holy Ghost, may be achieved through compassion and love.

magictransistor:

Jacob Böehme. Theosophische Werke. 1890.

Mystic vision from J. Böehme’s Theosophische Werke. It shows a sinful world of creation, surrounded by the Serpent of Eternity, the Uroboros, and characterized by the four elements and the sins corresponding to them; the whole circle relates to the centre, the weeping eye of God, i.e. the point where salvation, symbolized by the dove of the Holy Ghost, may be achieved through compassion and love.

magictransistor:

Marcos de Orozco. Sol Lustitiae. 1660.

magictransistor:

Marcos de Orozco. Sol Lustitiae. 1660.

"Uhh you have an interest in gore so obviously you can’t complain about animals being tortured" This anon is ridiculous.

humans are incredible creatures capable of amazing feats such as a lack of logic

You have gore on your blog yet you're crying over something so minuscule as a dog getting wet.
Anonymous

lol are you kidding me?? i’m not even crying, it doesn’t affect me whatsoever irl aside from thinking how fxcking stupid humans are. i’m not going to lose sleep over it and in fact once i reblogged it with my personal commentary i haven’t even given it so much as a passing thought because aside from making it known that the dog is literally frightened beyond belief there’s nothing whatsoever i could do. so yeah while i don’t have empathy for animals or people thankfully it doesn’t mean i’m going to sit here and let you morons be willfully ignorant.

lol this dog is extremely stressed out and its pretty obvious to tell if you even so much as understood remotely about canine mannerisms im glad 4k people on tumblr think this is hilarious and cute

lol this dog is extremely stressed out and its pretty obvious to tell if you even so much as understood remotely about canine mannerisms im glad 4k people on tumblr think this is hilarious and cute

blackpaint20:

The Beheading of John the Baptist (detail) Giovanni Battista Tiepolo 1733

blackpaint20:

The Beheading of John the Baptist (detail) Giovanni Battista Tiepolo 1733

paysagemauvais:

The Temptation of St Anthony, detail - Jacques Callot, 1592-1635 1630 etching  45 x 67 cm Hermitage Museum, St. Petersburg
The Temptation of St Anthony, also known as The Second Temptation of St Anthony, because Callot had already created a work on this subject in 1617. One of three surviving sketches showing the composition for this etching is also in the Hermitage.

paysagemauvais:

The Temptation of St Anthony, detail - Jacques Callot, 1592-1635
1630
etching
45 x 67 cm
Hermitage Museum, St. Petersburg

The Temptation of St Anthony, also known as The Second Temptation of St Anthony, because Callot had already created a work on this subject in 1617. One of three surviving sketches showing the composition for this etching is also in the Hermitage.

al-qirnein:

rly messy sketches of wuff gods for @vice-c1ty

WTF!! REEMA!! these are ridiculously fxcking good?? i adore your art so very much nd it is the biggest mystery to me how you are so divine at traditional art especially ughh, , ;;